Bryant Myers - Millo Gangster Club

Cualquiera Tiene Ticket launches the project without fanfare, immediately establishing the foundation for a raw introspection that permeates Millo Gangster Club. This 14-track album, released on July 31, 2025 on Rimas, prioritizes an immersive listening experience where each track is significant. In 50 minutes and a few seconds, Bryant Myers doesn't aim to extend the album's length at the expense of its message.

The monumental opening and the legendary closing of the album

Bryant Myers' rise to fame is evident from the first track. The album concludes with Killa, but it is with Cualquiera Tiene Ticket that the legendary status is firmly established without ambiguity. Between this monumental opening and this memorable closing, the album builds a powerful sound that suggests a complete listening experience. Bryant Myers doesn't invent filler; he progresses through the album in the order of the tracklist, with significant movements, transforming his previous solo studio album into a necessary step towards this massive consolidation of talent.

The circle of legends: Ozuna, Almighty, and Blessd

At the heart of the project, the international dimension is fully expressed through key collaborations that firmly establish the album's place in the history of the genre. On El Spot, the addition of Ozuna and Almighty confirms the album's international status and brings significant credibility to the project through established names. This track is more than just a simple vocal addition; it validates the overall scope of the work. Furthermore, on El Tiempo Se Detiene, the presence of Blessd strengthens the Latin trap dimension of the project by associating Bryant Myers with another pioneer of the genre. These two tracks alone are enough to illustrate how the album functions as a strategic anthology between conciseness and collaborative density, where each featured artist has a specific function: Ozuna for global reach, Blessd for local heritage.

The war machine: Hades66, Noriel and Miky Woodz on 5G

The massive talent consolidation strategy in the trap genre reaches its peak on 5G. The grouping of three artists – Hades66, Noriel, and Miky Woodz – on a single track demonstrates a desire to establish the historical legitimacy of the album. This accumulation of names is not accidental: it solidifies the project as the first installment of a major trilogy with Killa. Here, the collaboration suggests a desire to consolidate the network of emerging or established trap latino artists, creating a powerful force where each voice adds a layer of texture to the sonic universe. Bryant Myers uses this track to show that he is no longer a lone wolf but the architect of an empire that brings together the best talents in the scene.

The trap latino ecosystem: Dei V, SAIKO, and JHAYCO

The network continues to expand with choices that broaden the range of voices on Duro Ma and Bouncy. On Duro Ma, the collaboration with Dei V and SAIKO suggests a desire to consolidate the network of emerging or established Latin trap artists, creating an ecosystem where voices complement each other. On Bouncy, the collaboration with JHAYCO indicates an interest in more rhythmic sounds and a connection with the US/Caribbean scene. The solo tracks, such as Burlao, Llover Pa' Arriba, Rolling Door, Akaplau, and Luz Verde, make up the majority of the album, providing a space for breathing between the collaborative explosions. Bryant Myers is not trying to extend the album's length at the expense of its message; he prioritizes a narrative density where each movement, whether solo or collaborative, serves to advance the musical argument.

Killa: the conclusion of a trilogy

The memorable conclusion that seals the project arrives with Killa, featuring Clarent. The imposing sound structure of Millo Gangster Club prioritizes complete immersion over a long duration, without detailed technical documentation: the mixing and production remain in the background, allowing the substance of the texts and the voices layered upon them to take center stage. Millo Gangster Club is not simply a collection of features; it is a formal work where conciseness challenges heterogeneity. Myers presents "toda la musa que tenía guardada" here, finally releasing all the material accumulated since his beginnings.

Technical details

- Release date : July 31, 2025 - Label : Rimas - Tracks : 14 (50 minutes 04 seconds) - Opening / closing : Cualquiera Tiene Ticket / Killa - Guest artists : Ozuna, Almighty, Blessd, Dei V, SAIKO, JHAYCO, Jay Wheeler, Eladio Carrion, Hades66, Noriel, Miky Woodz, Clarent - Previous album : KR & BRYANT MA (2023)