
Unlike a typical album where artists often aim to demonstrate their evolution through collaborations or a change in their overall style, this album establishes its narrative structure from the very first track. The sonic architecture of this work condenses 14 tracks into just 17 minutes and 13 seconds, creating a high level of listening density that forces the listener to engage with the material. This deliberate brevity contrasts with the depth of the themes explored, transforming each minute into a moment of intense concentration. Between his previous studio album Different Typa Wave (2025) and the next Channel Surfing (2025), Chop uses this interlude to explore isolation as a state of being, rather than as a simple transitional phase. The opening track, A Loss of Self, immediately sets the tone: a personal erosion without external support, confirming the structural solitude of the work, which concludes with Broken and Alone.
Kayfabe / Five Finger Discount / Grifters: The Masks of the Manipulator
From the second track, the album delves into a mechanical exploration of the themes of piracy and manipulation. The title Kayfabe / Five Finger Discount / Grifters functions as a manifesto on social hypocrisy and the distortion of lived realities. This conceptual sequel doesn't just touch upon these themes; it embodies them through a structure that suggests a dance between truth and falsehood, between assumed performance and the raw reality hidden beneath. Shortly after, Diss Track further intensifies this tension by directly addressing verbal conflicts or personal attacks, while Frothing / Dehumanization / Labor for Landmines plunges the listener into an atmosphere of despair, where the human condition seems reduced to a mere tool of production. These tracks form a coherent thematic movement that prepares the ground for the later stages of the album, showing how social masks can lead to a gradual dehumanization. The progression is logical: it begins with illusion (Kayfabe), moves on to direct conflict (Diss Track), and ultimately ends with self-destruction (Dehumanization).
Worth / Teeth / Peace / War / Oink: internal and organic warfare
The descent into organic and psychological matter reaches its peak with the dense block Worth / Teeth / Peace / War / Oink. This title, which groups together a succession of powerful keywords, becomes a true battleground where fundamental values like peace or war clash with more abstract concepts like opportunity or doomscrolling. It is here that the decomposition takes on its full scope: Teeth evokes an internal bite, Peace and War suggest a constant conflict at the heart of being, while Oink adds a grotesque touch that reminds us that this war spares nothing, not even the most basic or animalistic aspects. This key piece not only describes suffering; it brings it to life through a buildup of terms that pile upon each other, creating a growing pressure that culminates in the implicit emotional explosion in the title Hands of Time. Between Black Mold Lung, Blood in the Sand, and Reshaping Flesh, the album constructs an image of a body and psyche rotting or transforming under the pressure of external circumstances.
Outlier: Isolation as a state of being
Following this storm of organic concepts, the album finds a moment of respite with Outlier. This track marks a transition towards the liminal states and the necessary awareness to survive the previous breakdown. It's not simply a return to calm, but a recognition of one's own position in the world: that of the outsider or the different who refuses to conform to imposed norms. The following tracks, Hollow / Stretched / Receding Gumline, further explore this idea of self-deformation, where one feels empty (Hollow), stretched beyond their natural limits (Stretched), and even their very features seem to recede or disappear. Selfish and Callous add a moral dimension to this process, suggesting that survival sometimes requires a hardening of the heart. Even Disfigured / It Ain't Complicated and Violence Through Inaction reinforce this vision, where violence is not only physical but also mental and structural. Each track in this phase acts as a piece of a puzzle, reconstructing the image of a soul in the process of breaking apart, never to be the same again.
Broken and Alone: a closing without a partner
The thematic conclusion of the album inevitably arrives with Narrative / Art / Performative Apathy / Nothing to Lose, which directly leads to the solitary ending of the album, Broken and Alone. The album concludes on a note of complete resignation, but also of raw honesty: being broken and alone is presented as the logical consequence of a journey where compromises were refused or a conscious choice was made to distance oneself from conventional norms. The complete absence of featured artists in the structured sources further reinforces the image of an intimate work, designed to be experienced in complete solitude. The 14 tracks that make up Become Nothing thus form a complete conceptual sequence that explores the deconstruction of identity without ever attempting to mask it with collaborations or superficial effects.
Technical details
- Release date : April 18, 2025 - Label : Redscroll Records - Tracks : 14 (17 minutes 13 seconds) - Opening / closing : A Loss of Self / Broken and Alone - Previous album : Different Typa Wave (2025)
🎬 The album's music videos
14 clips · continuous playback
Tracks
- 1
- 2
- 3
- 4
- 5
- 6
- 7
- 8
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- 11
- 12
- 13
- 14
🔥 The tracks that are blowing up
Hip-Hop/R&B ranking · week of 12/10/2026
- 1Solar Eclipse— Drake & Don Toliver
- 2Quebec— Drake
- 3I Just Might— Bruno Mars
- 4Cold Shoulder— Drake, Don Toliver & Yebba
- 5Janice STFU— Drake
- 6Dead Fresh— Lil Baby
- 7Classic— Drake
- 8What You Need— Tems
- 9Cinderella— Mac Miller Featuring Ty Dolla $ign
- 10So Good— Jhene Aiko Featuring Kendrick Lamar


