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Dreebo - In The Lab
Chronique d'album

Dreebo - In The Lab

Editorial note8,0/ 10
By Le Stagiaire·

"In The Lab" is not presented as a simple collection of tracks, but as a conceptual installation where the laboratory itself becomes the title of the game. Released on October 27, 2025, on the 365 Music label, this second studio album by Dreebo follows "Summertime In The Land" (2024), validating a clear ambition: to navigate between the thematic focus of individual tracks and the anti-clickbait warnings. The architectural hybridity of the work is immediately apparent, alternating between the precision of execution on tracks like The Source, the opening track, and a vocal density that does not seek to hide the artist, but rather to make him resonate in dialogue.

The theoretical space: In The Lab, The Source, and No Click Bait

Dreebo creates here a space where production oscillates between the classic studio album and the collaborative EP, creating a stylistic tension that challenges the conventions of traditional rap. The opening track, The Source, plants the flag of this experimental approach without falling into clichés. It is a space for reflection, where each track, even a solo one, seems to have been designed with surgical precision, far from the rushed overproduction criticized by the track No Click Bait. The structure of the album, 36 minutes and 39 seconds long, imposes a steady pace that does not allow for distraction, transforming listening into a total concentration experience.

The fourth part of the collaborative album: Living Flagrant, Til' It's Over, Many Men

Living Flagrant, the fourth track on the album, features Hugh Augustine, who delivers a performance that enriches the vocal texture of the track without trying to overshadow the main artist. Many Men, the seventh track, introduces the voice of Kamm Carson, adding another layer of depth to the song. These appearances are not just guest spots, but structural contributions that reinforce the idea of a laboratory where each voice has its defined place.

The vocal bridge: Long Distance and Passcode

The continuity of vocals on the album takes on a new dimension with Long Distance, the twelfth track, which features EL NIÑO in a vocal performance that extends the song's reflection towards broader horizons. Immediately after, Passcode, the thirteenth track, serves as a guest vocalist for Airplane James, creating a sonic bridge that connects the two halves of the album. These two tracks, although separated by solo tracks, form an internal articulation that maintains the intensity of the song without ever breaking the album's overall flow. The presence of these additional voices does not dilute Dreebo's identity; rather, it clarifies it by showing how the artist incorporates other perspectives into their own work.

The experimental duo: No Click Bait and the density of voices

The presence of both of these featured artists on a single track demonstrates that collaboration, rather than being a distraction, becomes a central element in the creation of the album. The placement of this track, just before the closing track by New Skin, suggests a build-up in intensity, where the accumulation of voices does not lead to chaos, but to a form of collective synthesis.

Conclusion: A second studio album that validates a formula of vocal mix

The collaboration culminates on the fourteenth track, No Click Bait, where the talents of Brookfield Duece and Mani Draper converge. This double invitation marks the peak of vocal accumulation before the conceptual culmination of the album. The final track, New Skin, offers a clean conclusion that contrasts with the complexity of the previous tracks, suggesting a personal transformation after this immersion in the sound laboratory. Moving away from the previous album, Summertime In The Land, released in 2024, Dreebo refines his approach: every second of the total 36 minutes and 39 seconds is significant, with each track being a link in an unbroken chain where the precision of the solo performance seamlessly dialogues with artistic exchange. In The Lab validates a formula of vocal mix without sacrificing the artist's individuality. In just 15 tracks, Dreebo manages to maintain a delicate balance between solo introspection and collaborative dialogue, avoiding the risk that the density of featured artists will weaken the album's sonic identity. The 36 minutes and 39 seconds duration, although concise for a project of this scale, reflects a rigorous selection of tracks that avoids redundancy. The album does not seek to impress through numbers or superlatives, but through the coherence of its message: a hybrid work where each track, whether The Source or No Click Bait, contributes to the construction of a laboratory of ideas. With 6 tracks out of 15 featuring other artists, Dreebo proves that collaboration can be a vehicle for evolution without sacrificing personal grounding.

Technical specifications

- Release date : October 27, 2025 - Label : 365 Music - Tracks : 15 (36 minutes 39 seconds) - Opening / closing : The Source / New Skin - Guest artists : Hugh Augustine, Ayilla, Kamm Carson, EL NIÑO, Airplane James, Brookfield Duece, Mani Draper - Previous album : Summertime In The Land (2024)

🎬 The album's music videos

15 clips · continuous playback

Tracks

  1. 1
  2. 2
  3. 3
  4. 4
  5. 5
  6. 6
  7. 7
  8. 8
  9. 9
  10. 10
  11. 11
  12. 12
  13. 13
  14. 14
  15. 15

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Review published on 16/10/2026 · Reviews

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