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Gente de Zona - REPARTO BY GENTE DE ZONA
Chronique d'album

Gente de Zona - REPARTO BY GENTE DE ZONA

Editorial note8,0/ 10
By Le Stagiaire·

"La Conga" arrives unexpectedly, opening Reparto By Gente de Zona with a raw, energetic sound that immediately defines the stakes of this release. This is not just the release of an album; it's the heartbeat of a twenty-five-year story finding its original rhythm. On May 15, 2025, the duo will launch this project under the Altafonte label, with an exclusive license, in a clear desire to pay tribute to the birthplace of Havana. Following Demasiado, released in 2024, Reparto can be seen as a direct response to that previous period: while the previous album marked a stage of maturity, this one stands as a living memorial, a sonic journey that returns to the streets where Randy Malcolm and his partner's dreams took shape. The structure of this album, totaling 36 minutes and 10 seconds for a dozen tracks, is meticulously crafted: "La Conga" establishes the opening, while "Talentazo" provides the closing, creating a temporal gateway in which each featured artist becomes a guardian of a fragment of this Cuban identity.

Havana's sound: where every featured artist is a postcard from a street

The collaborative approach is the driving force behind this album; in contrast to a solo introspection, Reparto is written as a collective effort. Out of the 12 tracks, 11 feature the voices of others, transforming the album into a moving orchestra where each track is a snapshot of street life. From "La Guagua," the urban grounding is solidified with the contributions of Zurdo Mc and Wow Popy; their presence introduces a distinct rap duo that grounds the sound in an immediate local context, moving away from general Latin themes. Further on, in "Rico Cantidad," the group texture is enriched by the contributions of Dale Pututi and L Kimii, who add multiple voices to strengthen the festive and dense nature of the track. The collaboration with Harryson on "No Fue Que Te Busqué" brings in the dimension of a recognized figure in the urban scene, providing a contrasting stability to the fluctuating energy of the main duo. This is where the balance of voices is achieved: the duo doesn't disappear into the mass, but orchestrates this festive density with a mastery that avoids the effect of blending, transforming each featured artist into a specific chapter in the story of Cuba.

Legends and newcomers: a collective fresco to celebrate 25 years

The tension between tradition and modernity becomes palpable when different generations collaborate. On "Cosas Bonitas", the fusion is particularly striking: L Kimii and El Kamel, prominent figures in the recent urban scene, share the sonic space with Los Muñequitos De Matanzas. This configuration is not insignificant; it allows for the celebration of roots while simultaneously projecting the current rhythm of the island to the world. It's a lesson in thematic coherence, where the urban meets the Cuban sound legend to firmly ground the project in its homeland while also making it resonate internationally. Later, on "El Vivo y El Bobo", the buzz of the Havana scene continues with Haned and Lucho dBi; their contributions maintain a direct connection to the local scene, refusing to allow the album to be perceived as a simple, soulless export. The closing track, "Talentazo", featuring Chocolate Mc, seals this collective effort, marking the end of a chapter where the 25 years of the duo's career are reactivated through a project where each guest embodies a facet of the duo's history.

Between solo and choir: the art of multiplying voices without erasing the duo

The density of collaborations, which features on 11 out of the 12 tracks, might seem like it could dilute the focus on the duo's identity. However, the selection of artists, ranging from local MCs like Kevincito El 13 and El Dukesito to established groups, demonstrates a careful curation. Each track, from "Almohada" to "Amor y Dinero," plays on a specific vocal style or energy, creating a variety of textures that make the album engaging without being overwhelming. The album functions as a multi-faceted portrait: "La Conga" as an initial solo piece, "Se Trata" for a mixed energy track with Dany Ome and Kevincito El 13, or "Dos Copas" which reactivates L Kimii with Un Titico. This management of shared time, where the duo alternates between solo performances and full integration, validates the concept of "Reparto" as a sharing that is not only musical, but also temporal and identity-based.

Conclusion: The foundation of a documented legacy

This release is not an isolated event, but rather a direct continuation of artistic work, where Reparto functions as a specific chapter in a twenty-year career, officially marking a transition towards a phase where local roots dictate the sonic architecture. The album thus reveals itself as a consolidation of the last twenty-five years of activity, where collaborations with figures such as Los Muñequitos De Matanzas or El Metaliko simply fill a featured slot, but validate the historical legitimacy of the project by associating the duo's current work with the legends of Cuban sound. This strategy of constructing the tracklist, which alternates with surgical precision between the solo opening tracks and those closing the album, allows for a temporal coherence rarely achieved by a disc as dense with collaborations. By incorporating voices such as Haned on El Vivo y El Bobo or Kevincito El 13 on Se Trata, the project transforms each minute of the thirty-six minutes and ten seconds into a living archive of the Havana scene. The album does more than just list guests; it uses their presence to extend the very definition of the duo's career, making Reparto the culmination of a story where Cuban music continues to dominate its own destiny. "Reparto By Gente de Zona" is scheduled for release on May 15, 2025, and it does so as a purely Cuban project. It is not just an album; it is an act of reactive memory that connects the origins of music on the island to the dominant sounds of today. The production, oriented towards a complete "album studio," fuses these roots with urban sounds to project the rhythm that currently dominates the country. While there is a very high density of guests, it does not serve to obscure the message, but rather to deepen the connection with the audience. This is an album that celebrates its 25 years of music not by summarizing them, but by reactivating them in the present, confirming that the duo continues to write the history of their city with an assurance that leaves no room for missteps.

Technical specifications

- Release date : May 15, 2025 - Label : Altafonte under Exclusive License from Gente de Zona - Tracks : 12 (36 minutes 10 seconds) - Opening / closing : La Conga / Talentazo - Guest artists : Zurdo Mc, Wow Popy, Dale Pututi, L Kimii, Harryson, El Metaliko, El Kamel, Los Muñequitos De Matanzas, El Dukesito, Dany Ome, Kevincito El 13, El Dray … - Previous album : Demasiado (2024)

🎬 The album's music videos

12 clips · continuous playback

Tracks

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Review published on 17/10/2026 · Reviews

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