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Hirntot Posse - SSSS (Süsses, sonst Stich: Septima)
Chronique d'album

Hirntot Posse - SSSS (Süsses, sonst Stich: Septima)

Editorial note6,5/ 10
By Le Stagiaire·

The opening track, In Septima Nocte, establishes a dark, enveloping atmosphere. From the very first notes, one feels the weight of a narrative without vocals, a reminder that, despite its collaborations, the album maintains a personal core.

In Septima Nocte: The opening that defines the album

The first track on the album, In Septima Nocte, serves as an introduction. It immediately establishes the dark and experimental tone that will persist throughout the album. The choice of a solo opening allows Hirntot Posse to showcase their individual style before delving into the multiple collaborations that follow. This approach, common in German underground music, creates a striking contrast with the final track, which is also without vocals.

12 Features: Hirntot Posse's collaborative strategy

Twelve of the fourteen tracks feature collaborations, highlighting the artist's clear desire to work within the Hirntot Posse collective. Each collaboration brings a different element, whether through the added energy of a double presence or the diversity of styles introduced by three distinct guests. - Hier kommt Johnny! features Schwartz and Dr. Faustus, whose voices complement each other to enhance the energy of the track, creating a vocal dialogue that adds depth to the progression. - Killer Corporation brings together Uzi, Rako, and Dr. Faustus, combining their influences to create a blend of styles that is evident in the rhythm and tone of the track. - Erdrosselt & Erschossen pairs Uzi, Schwartz, Rako, and Dr. Faustus, showcasing the diversity of collaborative sounds and demonstrating the group's ability to integrate multiple voices without losing coherence. - Mask 2 My Face highlights a unique contribution from a single guest, Rako, who brings a distinctive touch that contrasts with the previous multi-vocal tracks. - SSSS7777 brings together Schwartz, Uzi, Rako, Perverz, and Dr. Faustus, offering the most extensive collaboration on the album, enriching the musical texture through the layering of five different voices. These collaborations are not simply additions; they structure the narrative flow of the album, creating moments of intensity that alternate with more introspective passages. The decision to place these features at strategic points on the album demonstrates a mastery of the listening experience and reflects Hirntot Posse's desire to explore a wide range of sounds while maintaining a common identity.

Born in Blood: The closing track that reinforces artistic coherence

The final track, Blutgeboren, concludes the album without guest appearances, thus echoing the opening framework. This solo ending serves as a closure, completing the narrative cycle and reinforcing the artist's central identity. The decision to end with a solo emphasizes the importance of the main voice as an anchor in an album heavily fragmented by collaborations.

58 minutes 54 seconds: The concentrated time density of a production

The total duration of 58 minutes 54 seconds spread across fourteen tracks demonstrates a concentrated work session. The fact that the entire album was recorded in a single take highlights the artist's intense pace. This compactness gives the album a fluidity that allows the listener to remain immersed without excessive interruptions. For comparison, the average length of a German studio album is around 60 minutes; therefore, SSSS is just below this average, while still maintaining a balance between longer and shorter tracks.

Label and publication context

The album was released on October 31, 2025 by Hirntot Records, a label known for its catalogue of underground German artists. The release date coincides with the autumn season, often associated with dark and introspective themes in rap and electronic music. The choice of label confirms the experimental nature of the album, which blends rap, techno, and noise elements.

Ultra Violence: The next immediate chapter in the artist's evolution

The project SSSS (Süsses, sonst Stich: Septima) takes place during a period when the artist releases Collateral Damage and prepares Ultra Violence, both scheduled for 2025. This rapid succession of albums illustrates the artist's accelerated rise and the role of SSSS as a point of convergence between these two works. Collateral Damage, released just before SSSS, introduced new production elements, while Ultra Violence, slated for the end of the year, promises to further explore the territories of aggressive rap and electronic music. The structure, featured artists, rhythmic density, and positioning between Collateral Damage and Ultra Violence make this album a significant milestone in the artist's evolution. It demonstrates not only the effectiveness of collaboration within the Hirntot Posse collective but also the artist's ability to maintain artistic coherence while navigating different styles and themes. Thus, SSSS (Süsses, sonst Stich: Septima) presents itself as a concentrated experiment in collaborative creation, a narrative bridge between two major projects, and a testament to Hirntot Posse's relentless desire to push the boundaries of German underground music.

Technical specifications

- Release Date: October 31, 2025 - Label: Hirntot Records - Tracks: 14 (58 minutes 54 seconds) - Opening / Closing: In Septima Nocte / Blutgeboren - Guest Artists: Schwartz, Dr. Faustus, Uzi, Rako, Perverz - Previous Album: Collateral Damage (2025)

🎬 The album's music videos

12 clips · continuous playback

Tracks

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  3. 3
  4. 4
  5. 5
  6. 6
  7. 7
  8. 8
  9. 9
  10. 10
  11. 11
  12. 12
  13. 13
  14. 14

🔥 The tracks that are blowing up

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Review published on 17/10/2026 · Reviews

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