
Jul released his seventh studio album, Je ne me vois pas briller, on June 30, 2017. This opus, which followed a free release earlier that spring, quickly reached Gold, Platinum, and Triple Platinum certifications. The project marks a major milestone in the artist's career with tracks rich in introspection and collaborations.
Je ne me vois pas briller: Introspection on His Destiny
The track poses a direct question to the rapper, interrogating his own trajectory and place within the musical landscape. On this opening track, Jul explores themes related to his existence and artistic choices without hiding behind a hardened persona. It is here that introspection takes precedence over his usual warrior stance, offering a first facet of the human Jul who asserts himself with lucidity.
Ma jolie: Hymn to Collaborations and Dedicated Music Video
While Je ne me vois pas briller lays the groundwork for personal reflection, it is Ma jolie that crystallizes the rise in the artist's notoriety. This track has become a true hymn to collaborations, illustrating how Jul opens himself up to a community of writers and voices. The presence of the dedicated music video released to accompany the album release reinforced the visual and sonic impact of this track. It is on this song that one best retains the human and emotional dimension of the project, far from his usual hardened postures.
Mon tiek ti amo: Opening toward an International Universe
Jul doesn't just write in French; he also uses Italian to broaden his vocabulary and artistic expression. On Mon tiek ti amo, the rapper addresses a declaration of love for his neighborhood, La Puenta (or Saint-Jean-du-Marché), thereby showing that his vision of urban life transcends linguistic borders. This track testifies to an ambition that doesn't limit itself to just national territory, using the Italian language as a vehicle to express a deep affection for his place of birth.
Strategic interventions enriching the sonic texture
The album Je ne me vois pas briller stands out due to a significant increase in collaborations with other confirmed French rap artists. These features are not simple additions, but strategic interventions that enrich the sonic texture and bring a new dimension to the tracks. We thus find Le Rat Luciano on Full Option, Moubarak on Survêt du Milan, Norey Fz on Mon tiek ti amo, Kalash Criminel on Cagoulé, Hors Ligne on La zone and Ger on Quand on est pas là. Each artist brings their own vocal color and style, creating an interesting contrast with Jul's voice. These major collaborations show how the artist integrates into a broader scene while maintaining his distinct lyrical signature.
An artistic record validated by primary production
The production on Je ne me vois pas briller is often credited to Jul himself, who handled most of the tracks on this album. While specific collaborations for this project are not clearly identified in external sources, the sonic quality remains consistent with the rapper's urban aesthetic. The album ends on a positive note with the track "Tout va bene," which well captures the general mood of the project: his seventh studio release, certified Gold and Platinum, where key narrative tracks exploring the artist's universe are highlighted by strategic interventions like "Full Option" and "Cagoulé."
🎬 The album's music videos
24 clips · continuous playback
Tracks
- 1
- 2
- 3
- 4
- 5
- 6
- 7
- 8
- 9
- 10
- 11
- 12
- 13
- 14Survêt du Milanfeat. Moubarak
- 15Mon tiek ti amofeat. Norey Fz
- 16
- 17
- 18Cagouléfeat. Kalash Criminel
- 19
- 20La zonefeat. Hors Ligne
- 21
- 22
- 23Quand on est pas làfeat. Ger
- 24
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