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Natti Natasha - Natti Natasha en amargue
Chronique d'album

Natti Natasha - Natti Natasha en amargue

Editorial note7,5/ 10
By Le Stagiaire·

Natti Natasha's "Amargue" marks a clear shift towards her Latin roots, with a boldness that defies current trends. The production is overseen by a key figure: Romeo Santos, the architect of the sound that permeates the album with a consistent bachata texture, while also giving the final track a unique place.

The strategic impact of the "Nasti Singles" album on the artist's career.

Natti Natasha's career evolution is not measured solely by changes in record labels or musical styles, but by deliberate genre shifts. While ilumiNATTI (2019) and NATTIVIDAD (2021) laid the foundation for growing popularity, the NASTY SINGLES era (2023) represented a distinct stage before this return to her roots. The release of Natti Natasha en Amargue, published by Sony Music Latin on February 7, 2025, officially solidifies this radical change of direction.

The bachata influence of Romeo Santos on the entire album production.

The Puerto Rican producer's involvement goes beyond a technical role; he dictates the overall atmosphere of the project, creating a cohesive universe where each melody fits within the tradition of the genre. This consistency in production, orchestrated by a single key figure, ensures that the album functions as a unified work rather than a disparate collection of songs. The songwriting and production entrusted to Romeo Santos ensure a stylistic coherence that is rare for an artist who has evolved over the years with diverse sounds.

The exclusive collaboration with Ozuna on the track "Ya No Comparto"

Within this predominantly bachata album, only one track breaks free from the genre's conventions: Ya No Comparto, found on track 7. This is where the collaboration with Ozuna truly shines, not just as a simple addition of vocals, but as a moment of intersection between two major careers. The collaboration is explicitly credited with "feat. Ozuna," which gives the track a unique dimension of artistic partnership within the project. The presence of the reggaeton artist on this specific track introduces a necessary variation, adding a confirmed international stature to a song that would otherwise be strictly bachata. This alliance is the only collaborative exception among the ten tracks, highlighting how strategic and exceptional the collaboration with Ozuna is within the context of this album, which is largely a solo effort.

The salsa twist of track 10, "Vendaje," to conclude the album.

While the entire album is based on Romeo Santos' production and the bachata aesthetic, track 10 shifts to the salsa genre, creating a deliberate contrast with the nine tracks that precede it. This final transition not only varies the style; it imposes a strong conclusion that breaks with the expectation of a homogeneous ending, transforming the very structure of the album into a narrative experience where the ending differs radically from the beginning and the middle. The salsa exception in Vendaje serves as a seal of the boldness of this fourth studio album. Natti Natasha en Amargue does not seek to innovate simply for the sake of breaking away, but to firmly establish its discography within a specific genre. The album concludes on this tension between the bachata unity and the salsa exception, leaving a lasting impression on Natti Natasha's career.

Technical Details

- Release Date: February 3, 2025 - Label: Sony Music Latin - Tracks: 10 - Opening/Closing Tracks: Desde Hoy / Vendaje - Featured Artist: Ozuna - Previous Album: NASTY SINGLES (2023)

🎬 The album's music videos

10 clips · continuous playback

Tracks

  1. 1
  2. 2
  3. 3
  4. 4
  5. 5
  6. 6
  7. 7
  8. 8
  9. 9
  10. 10

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Review published on 19/10/2026 · Reviews

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