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Roddy Ricch - Please Excuse Me for Being Antisocial
Chronique d'album

Roddy Ricch - Please Excuse Me for Being Antisocial

Editorial note8,5/ 10
By Le Stagiaire·

Compton rapper Roddy Ricch sets his suitcase down in the heart of trap with disarming confidence right from the get-go, transforming a personal project into a sonic manifesto that resonates well beyond the borders of his neighborhood. Please Excuse Me for Being Antisocial is not just the arrival of a new artist on the market; it is the crystallization of raw energy and meticulous production that immediately captivated listeners upon its December 2019 release via Atlantic Records.

A rapid ascent driven by 'The Box' and strategic collaborations

The album presents itself as a statement of intent where every track serves as a brick in the construction of a solid reputation. The record opens with an intro that sets the tone before the first true hit strikes hard, propelling Roddy Ricch to the heights of international charts. This meteoric trajectory is sealed by winning Album of the Year at the 2020 BET Awards, critical recognition that validates the quality of this first studio opus. The production of the major track "The Box" was even deeply contemplated by its creator, producer 30 Roc, who saw it as a way to push the artist beyond his usual limits—a bold bet that proved well-worth it.

A sonic architecture forged by several key producers

The sonic universe of the project is the result of a complex alchemy between several distinct talents whose names appear in the credits: 30 Roc, ATL Jacob, JetsonMade, OZ and Mustard. Although the exact role of each remains sometimes unclear in the available data, it is this diversity that gives the album its unique character. Various sounds intertwine to create a patchwork trap tapestry where every track finds its place. The producer Mustard, in particular, leaves his indelible mark on the record, notably with the confirmed presence of his name on "High Fashion", adding a touch of modern classicism to the whole.

Narrative featurings with Gunna, Lil Durk, Meek Mill and A Boogie wit da Hoodie

Roddy Ricch didn't hesitate to enrich his album with strategic collaborations that amplify the project's reach. Six tracks feature additional voices, creating an inter-generational and cross-scene dialogue. On "Start Wit Me," Gunna teams up with the Compton rapper for a track that bolsters collective energy. "Moonwalkin" welcomes Lil Durk in a vocal exchange that adds narrative depth to the song's story. The legendary Meek Mill takes center stage on "Peta," while Ty Dolla $ign and A Boogie wit da Hoodie contribute their respective parts on "Bacc Seat" and "Tip Toe." These guests aren't there for filler, but to anchor Roddy Ricch within a network of influential artists who have already marked the history of hip-hop.

Three standout tracks ("The Box," "Start Wit Me," "Moonwalkin") that crystallize raw emotion

Beyond the credits and producers, it is the tracks themselves that capture attention and define the project. "The Box" remains the album's anchor, a trap anthem that encapsulates all the tension of the record. Alongside it, "Start Wit Me" featuring Gunna offers a different dynamic, more collaborative and expansive. Finally, "Moonwalkin'" with Lil Durk explores varied emotional territories, showcasing Roddy Ricch's versatility as a singer-rapper. These three tracks, among others like "Big Stepper," "Gods Eyes," or "Roll Dice," form the beating heart of the album—a sonic tapestry that fails to leave anyone indifferent.

A frank document on life under the spotlights

Please Excuse Me for Being Antisocial turns out to be far more than a simple commercial release; it is an unfiltered portrait of a life lived to the rhythm of trap music and social media. Roddy Ricch exposes his reality with rare candor, turning the experience of success into raw artistic material. The album found resonance among a broad audience, proving that this direct and authentic approach could cross cultural and geographical boundaries to reach the world at large.

🎬 The album's music videos

16 clips · continuous playback

Tracks

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Review published on 29/07/2026 · Reviews

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