Rusowsky - DAISY

Daisy unfolds across three sonic acts, where Rusowsky's voice navigates between sparkling electronic pop and dark alternative reggaeton. Across these 13 tracks, totaling 38 minutes and 50 seconds, the collaborations serve as accelerators: they anchor the concept in an Atlantic dialogue and validate the project's ambition from its release via Warner Records and rusia-idk.

KINKI FÍGARO / Johnny Glamour: The opening duo that defines the sonic palette

The album opens with immediate tension between the synthetic sounds of electronic pop and alternative Latin influences. The first track, KINKI FÍGARO, introduces the album's universe with a feature by Jean Dawson. His presence confirms from the very first song that the project aims to be hybrid, blending an alternative vocal register with rigorous pop structure. Like this anthem, the second track, Johnny Glamour, welcomes Las Ketchup. This collaboration marks an opening toward more Latin and alternative sounds, setting the stage for an album where Rusowsky's solo production orchestrates a conceptual journey between digital melancholy and festive energy.

SOPHIA / ALTAGAMA / 4 Daisy: The backbone of a solo production

At the heart of the album, three tracks stand like a solid backbone. Without an externally credited producer, the record reveals itself as an archived document certified by its internal coherence: each track participates in a unique narrative that spans 38 minutes and 50 seconds of the opus.

BBY ROMEO / pink + pink / LIAR? : international collaborations as concept accelerators

BBY ROMEO welcomes Ralphie Choo for a collaboration that enriches the album's sonic palette. These three interventions confirm Daisy's ambition: a concept album where international voices dialogue with Rusowsky's solo sound without ever erasing her signature. Each guest brings a distinct color to the project, transforming isolated tracks into moments of vocal and rhythmic confrontation.

malibU / (ecco) / sukkKK!! : introspection at the heart of the record

After these international collaborations, the album dives deeper into intimate introspection. Then comes sukkKK!!, which invites La Zowi to a confirmed feature on this track. Her presence marks a pivot toward heightened introspection, adding a distinct vocal layer to the album's universe without breaking the conceptual continuity between previous and following tracks.

project tu culo / 99% : closing a narrative cycle

The total runtime of 38 minutes and 50 seconds for thirteen tracks confirms that the album prioritizes narrative density over the classic tracklisting found in contemporary pop albums. Each track, whether solo or featuring, contributes to a conceptual progression where production entirely handled by Rusowsky remains the invisible thread connecting alternative sounds and synthetic melodies. The absence of an external producer credited on the entire record reinforces this vision of an autobiographical project, where even collaborations with artists like Jean Dawson or Las Ketchup merely serve Rusowsky's unique artistic vision. This final track, followed by 99%, forms a closing duo where solo producer Rusowsky gives way to an open ending, suggesting that the narrative cycle does not conclude with a definitive resolution but rather with a lingering question. The structure of the thirteen tracks thus reveals a carefully crafted architecture: international collaborations, whether with Jean Dawson, Las Ketchup, Ralphie Choo, Ravyn Lenae, Kevin Abstract, or La Zowi, are strategically placed to anchor the project in an Atlantic dialogue without ever erasing its unique artistic signature. Each featuring acts as a step on a sonic journey where alternative reggaeton and electronic pop respond to one another, transforming the album into a coherent archive document produced entirely by its author. The total runtime of 38 minutes and 50 seconds confirms that this narrative density takes precedence over the classic tracklisting found in contemporary albums, making Daisy an artwork where every second counts in the construction of an autonomous and perfectly orchestrated artistic vision. The album concludes with two tracks that close a journey spanning 38 minutes and 50 seconds. These two tracks mark the end of a narrative cycle where Rusowsky orchestrated his own vision alone, from the first track to the final note. With a double label composed of rusia-idk and Warner Records, Daisy validates its artistic ambition upon its release on May 23, 2025: a coherent concept album produced entirely by its author that blends electronic pop, alternative reggaeton, and digital melancholy.

Technical Details

- Release Date: May 23, 2025 - Record Label: rusia-idk, Warner Records - Tracks: 13 (38 min 50 s) - Opening / Closing Track: KINKI FÍGARO / 99% - Guests: Jean Dawson, Las Ketchup, Ralphie Choo, Ravyn Lenae, Kevin Abstract, La Zowi